Black Queer Stories in Print:

19th Century to the Harlem Renaissance

JON KEY with SILAS MUNRO

In the 1830’s The Sun Newspaper ran a story never shared before in print: a man by day and woman by night who was on trial in New York for theft. Mary Jones/Peter Sewally was one of the earliest known public Transgender people. Her story was one of the first black queer narratives documented and shared in printed form in the early 19th century. A few decades later in 1880’s D.C. The Evening Star newspaper printed “The Queen is Raided” referring to William Dorsey Swann, the earliest Drag Queens in American history, lavish underground parties overturned by the police.  In 1925, Alain LeRoy Locke was asked to be guest editor of an issue of Survey Graphic, the richly designed periodical covering sociological and political issues. The issue, titled “Harlem: Mecca of the New Negro”, was Locke’s first publication connecting an emerging generation of young black writers, poets, and artists, in what would be known as the Harlem Renaissance. The infamous issue became the basis for the seminal 1925 anthology The New Negro, marking a shift from a focus on Black bodies to Black consciousness and Black thought.